INSTITUTE FOR SUSTAINED CREATIVITY


 

Mentorship

 

Chautauqua, NY (2021)
Erika Diamond & Melissa Joseph at Chautauqua Visual Arts (CVA) Residency Printmaking Lab.

ISC's Mentorship Program is grounded in one-on-one conversations that provide practical, pragmatic guidance, meaningful introductions, and real-world pathways toward sustaining creative lives. We believe artists thrive when they have access to trusted professionals who generously share their experience, knowledge, and communities.

This program draws upon Sharon Louden's extensive experience in the field since 2010. She re-designed the Chautauqua Visual Arts Residency Program (2018–2022) to implement many of the key components of ISC’s Mentorship Program and was also a key architect of the Wyoming Innovation Partnership Creative Economy initiative (2023–2024) which helped artists throughout the state realize their startup ideas. In addition, since 2013, Sharon and her team have produced more than 200 convenings of artists and arts professionals in communities all across the country and abroad in support of our “Living and Sustaining a Creative Life” series of books. This ongoing tour continues to surface current, essential needs facing artists today as they strive to sustain their creative lives.

Austin, TX (2026)
Sharon Louden addressing artists at Future Front Texas meet-up.

In collaboration with the ISC Board of Directors and Advisory Board, Louden has assembled an interdisciplinary network of accomplished professionals —primarily from the visual arts, while also representing complementary creative fields — who share ISC's commitment to providing pragmatic mentorship, impactful relationships, and actionable pathways that help artists build sustainable creative lives.

Our mentors include artists, educators, curators, arts leaders, and other professionals who understand the realities of building creative lives and are committed to helping others do the same. Their guidance is rooted in generosity, empathy, inclusion, and a shared belief that artists deserve meaningful opportunities to flourish.

Mentorship at ISC is not simply about giving advice, it is about physically opening doors and creating real opportunities. Together, mentors and mentees explore opportunities, develop strategies, grow their own communities, and identify practical, realistic next steps and pathways that guide artists to move forward with the goal toward sustaining their creative lives.

As part of ISC's Connection Hub, our goal is to make experienced mentors accessible to artists who might not otherwise have these opportunities. We are especially committed to serving artists who have historically been underrecognized or underserved, helping create pathways that strengthen both individual artists and the broader creative community.

New York City (2024)
Mitra Khorasheh with artists at Signs & Symbols Gallery.

 

How our Program Works

ISC serves as a connector. We carefully select mentors whose expertise, generosity, and commitment align with our mission. Each mentor establishes their own consulting practice, schedule, availability, and fees.

To ensure a good fit, we suggest that every mentor offer a complimentary 30-minute introductory conversation. This initial meeting gives both mentor and mentee the opportunity to determine whether they would like to work together and discuss goals, expectations, scheduling, and next steps.

All mentoring arrangements -- including scheduling, payment, and communication -- take place directly between the mentor and mentee. ISC does not receive any portion of mentoring fees or facilitate financial transactions.

Mentoring fees are intentionally kept below standard consulting rates, with a range of $75 - $150 per hour, depending on the mentor's expertise and the mentee's needs. As a nonprofit service organization, ISC's sole purpose is to create meaningful connections that help artists sustain their creative lives.

Our Mentors

Baltimore, MD (2017)
Deana Haggag listening & mentoring artists during an ISC convening at Area 405.

Each mentor has been selected for their unique experience, expertise, and commitment to supporting fellow artists. We believe mentoring is itself a creative practice, one rooted in listening, sharing, questioning, and helping others discover new possibilities. Our mentors bring not only professional knowledge, but also generosity, curiosity, and a genuine investment in the success of the artists they support. Areas of expertise include, but are not limited to:

  • Finding and Connecting with Artists

  • Creating Exhibition Opportunities

  • Researching and Applying for Public Art RFQ’s

  • One-on-one Assistance with Crafting Applications and Correspondence

  • Cross-Cultural Curating and Exhibition Development

  • Opportunities for Performance and Time-Based Artists

  • Helping Emerging Artists to Find, Reach Out To and Work With Art Advisors

  • Leadership Coaching for Arts Administrators

  • And other additional categories listed below…

 

Mari Spirto
Executive Director & Curator, Protocinema

Getting Started:

Below you will find a directory of mentors, their areas of expertise, and contact information.

If a mentor's experience aligns with your goals, simply reach out directly to the mentor(s) of your choice by email. They will provide additional information about their mentoring approach, fees, availability, and expectations.

When contacting a mentor, we encourage you to briefly introduce yourself and share:

—> what you hope to accomplish

—> the questions or challenges you would like to explore

—> your goals for the mentorship

—> your commitment to actively engaging in the process

The most rewarding mentoring relationships are collaborative, thoughtful, and built on mutual respect. We hope this experience provides not only guidance, but also meaningful relationships and opportunities that continue long after your mentoring sessions have ended.

We are always here to answer your questions as well.

Our Mentors

 

Alexandra Siclait
Strategic Advisor, Venture Philanthropy, Social Impact.

Categories:

  • Grant Proposals

  • Letters of Inquiry & Applications

  • Developing Correspondence Skills

  • Finding, Funding, and Working with Foundations


Austin Thomas
Artist, Curator, Community Builder, and Educator.

Categories:

  • Community Building

  • Finding and Connecting with Artists

  • Creating Opportunities with Artists

  • Creating Salon and Pop-Up Exhibitions


Brian Clyne
Educator, Digital Designer and Project Manager.

Categories:

  • Finding and Applying for RFQ’s

  • Project Management: Public Art/Private Commissions

  • Fabrication and Installation

  • Budgeting and Time Management

 

Erika Diamond
Artist, Curator, and Educator.

Categories:

  • Queering Spaces

  • Curating & Proposal Writing

  • Exhibition Planning & Development

  • Working with Nonprofits


Felicity Hogan
Arts Leader and Educator.

Categories:

  • Career Advice for Artists 

  • Leadership Strategies for Arts Administrators

  • Feedback on Professional Materials

  • Working with Nonprofit Organizations


Jan Wurm
Artist, Curator and Educator.

Categories:

  • Artists Over 60

  • Placing Work in Museums

  • Artwork Inventory

  • Estate Planning for Artists

 

Kealey Boyd
Writer & Art Critic.

Categories:

  • Pitching: How to Talk About You and Your Idea

  • Working with the Press

  • Editing Services for Writers, Artists and Organizations

  • Feedback on Professional Materials


Leslie Gerber-Seid
Contemporary Art Advisor.

Categories:

  • The Collector and Art Advisor Perspective

  • Navigating Galleries and the Art Market

  • Pricing and Positioning Artwork

  • Studio Visits and Presenting Your Work


Mari Spirito
Executive Director, Curator, Protocinema.

Categories:

  • International

  • Cross-Cultural Curating and Exhibition Development

  • Creating Exhibition Opportunities

  • How to Find & Work with Curators

 

Mitra Khorasheh
Curator, Gallerist, Writer and Educator.

Categories:

  • Finding & Developing Experimental Artist-Run Programs

  • Focus on Performance and Time-Based Artists

  • Creating Alternative Exhibition Opportunities

  • Working One-on-One with a Curator


Seph Rodney
Arts Writer, Editor, and Curator.

Categories:

  • How to Get Your Work Written About

  • Art Criticism & Writing as a Career

  • Editing for Books, Magazines, and Websites

  • Curating with Museums and Galleries


Yasmeen Abdallah
Artist, Curator, Writer, Professor, Educator.

Categories:

  • Structuring Interdisciplinary Studio Practice

  • Teaching and Crafting Curriculum

  • Creating Curatorial Opportunities

  • Mechanics of Curating for Emerging Artists